EP Review: “It’s About Time” by Vanessa Murray

Vanessa EP

One of the challenges faced by a musician compiling an EP or album is to come up with an apt and (hopefully) memorable name for the project.  Well, I liked Vanessa Murray’s debut EP before I had even heard it, simply because of her cleverly chosen title – it really is about time Vanessa gave us a recorded collection, so that as well as enjoying her frequent live performances, we can also relish her prodigious talent at our leisure on iPods and car stereos.  So many of us in the Liverpool area have been fans of Vanessa since she burst onto the scene, winning the Liverpool Acoustic Songwriting Challenge in 2012, aged just 17.  Since then we’ve waited three years for an EP, so yes, Vanessa, it most certainly is about time!

The EP kicks off with the Songwriting Challenge winner “I Don’t Wanna Lose You Like This”, which, from the first chord, sets the tone for the rest of the collection.  Vanessa’s acoustic guitar work is solid and unfussy, as is all the instrumentation and vocal work throughout the collection.  With contributions from several of Liverpool’s finest musicians everything is precise and considered – you will find no flashy instrumental solos, no over-elaborate layered vocals, indeed none of the fancy affectations that younger performers are often tempted to try.  That is not to say that anything is in any way sparse, the sound is rich and full and superbly textured on every track.  Oh, and by the way, Vanessa’s voice is as sweet and pure as anything you ever heard, and it soars beautifully above everything else.

The EP is an uplifting, unashamedly poppy collection, taking the listener through several very human moods and feelings, all of which will appeal to the broadest of audiences.  Vanessa’s songwriting is neat and tidy throughout, she picks out simple and memorable melodies, while mixing it up with unexpected twists just enough to keep things interesting.  Her lyrics, while telling fairly simple human tales, are surprisingly sophisticated, inventive and free from cliché.  From “Lose You Like This”, the title track “It’s About Time”, “Fire that Burns Within”, the wonderfully evocative “Worlds Apart”, and the superb closing track, “Thanks to You” I was hooked.  Well done Ness!

Let us hope that Ms Murray does not keep us waiting another three years for her next recorded collection.

‘It’s About Time’ is available to order on iTunes: http://tinyurl.com/pwxkndo

Derek King

Live Review: K’s Choice @ Sound Food & Drink, Monday August 18th 2014

An absolutely immense edition of K’s Choice at Sound Food and Drink on an August Monday evening.

Sincere thanks to all those who played, you were all magnificent and keep K’s Choice at the top of our game!

aug 18 flyer sound

On open mic we were treated to great sets from the very young Shea Michael Doolin, the very not so young “Herringbone” John Hall (sorry John!), the Nashville lovin’ Izzy Ryder, and Andy Knight with a couple of well chosen covers.

All were excellent and will be invited back to play for us again.

Shea Doolin

Shea Doolin

Andy Knight

Andy Knight

Izzy Ryder

Izzy Ryder

"Herringbone" John Hall

“Herringbone” John Hall


Our featured guests on the night were:

Leanne Griffiths

Leanne Griffiths.


Leanne Griffiths with a strong set of heartfelt and very personal original material – just a hint of Alanis Morisette I’d say….







Katie Mcloughlin with her very distinctive and powerful vocals and a very individual acoustic guitar style.  She played an arresting set of enchanting original songs.

Katie McLoughlin

Katie McLoughlin





Gary Gardner

Gary Gardne


Gary Gardner, a K’s Choice favourite whose songs are becoming well known around the Liverpool acoustic circuit.






Apollo, an acoustic four piece band, featuring Pete on guitar, Luke on percussion, Dan on keys and the Tom on lead vocals, with a wonderful set of lively covers that quite literally caused some of the female audience members to pass out!



So many performers that your host Derek King had an easy night of it and didn’t get to play!

Thanks everyone for playing, thanks to the audience for listening, and special thanks to Jules Bennett for running the best darn music cafe-bar on the planet!

Peace & love xx

Live Review: K’s Choice @ Sound Food & Drink, Tuesday April 29th

On a bright spring Tuesday evening, at an event hosted by local musician Derek King, K’s Choice made itself well and truly at home at the Sound Food & Drink cafe-bar on Liverpool’s Duke Street.  Discerning folk were treated to a wonderful array of performances from some of the finest local singer-songwriters.

Up first was Gary Maginnis, a Northern Irishman, who now calls Liverpool his home.  Gary took us through an interesting and varied set, delivering slow and quite sombre songs with some aplomb and moving seamlessly into much more upbeat melodies.  On one of his upbeat numbers he played his acoustic guitar using a banjo style finger picking technique – it sounds like it shouldn’t really work, but it damn surely did!

Gary Maginnis

Gary Maginnis

Next up came Welsh songstress Grace Hartrey – along with several of her friends, who formed a pretty unique kind of band.  There were two boys forming a rhythm section of bass guitar and cahon, two girls on cornet and violin, both of whom also sang tight and smooth vocal harmonies, and Grace herself on acoustic guitar and lead vocal.  There was a feel-good quality to this group’s performances of their beautifully crafted original songs that was truly astounding.

Grace Hartrey and friends

Grace Hartrey and friends

Following the band was local lad Edward Latham, who delivered a set of his own compositions with an easy, smooth and confident style.  His guitar work is assured, neat and tidy, intricate without being too clever for its own good, and it sets off his rich and powerful voice wonderfully.  It was during Eddie’s set that the bar became busy and he clearly enjoyed himself interacting with a fairly boisterous, though very good natured crowd.

Edward Latham

Edward Latham

And now, as the saying goes, it was time for something completely different….!

“Herringbone” John Hall took centre stage armed with his slide guitar, and took us way, way down south….  John did great justice to a couple of slide guitar classic covers including a Muddy Waters number, before moving onto more contemporary things like Wilko Johnson and a fair smattering of his own compositions, including the unforgettable “Martin Luther King Said”.  John’s final number was performed with a slide guitar he had fashioned himself from a cigar box, which I guess honest god fearin’ folk in the deep south used to do….  As I say, something completely different!

Herringbone John (of Kipper Doctor fame!)

Herringbone John (of Kipper Doctor fame!)

A great final act after such a rich range of styles and exquisite performances.

Join us for the K’s Choice City of Music volume 2 compilation album launch party at Sound Food & Drink on Friday 30th May.





K’s Choice @ Unit 51, Friday 1st November

‘Twas the night after Hallowe’en and ghosties and ghoulies still prowled the cold, dark streets of the Baltic Triangle….!

unit 51 flyer nov

Just as well there was a warm and decidedly not-scary welcome from the lovely Stella who runs the Unit 51 coffee shop in Jamaica Street.  K’s Choice was in residence tonight and a fun night was promised, filled with some of the best acoustic music to be found – and all for free!

First up K’s Choice host, Derek King kicked off with a couple of covers to get us in the mood.  Billy Joel’s “Piano Man”, followed by the old Dire Straits standard “Romeo & Juliet” ushered in the mood for the evening.  Derek then played a selection of original material including his protest song “The Price of Coal” originally written just after the great miners’ strike of 1984-85, and a couple from his “Sometimes” EP.

The stage was now set for our first guest, radio presenter and singer-songwriter, the one and only Billy Kelly.  Billy has graced the K’s Choice stage at a couple of venues before, and he always seems to be playing somewhere in Liverpool.  This evening Billy was at his very best and he played a wonderful selection of his original material.  I particularly liked hearing once again his contribution to the K’s Choice City of Music album “Blue Skies Blue Eyes”, along with the very catchy “Thunderstorm” and his latest release “Wipe it Out”.  A true gent of the Liverpool music scene and a cracking performer.

Following Billy was the musical delight that is Jo Bywater.  I’ve been fortunate enough to see Jo a few times now, and I am still in awe of her guitar style.  The fingers of her left hand strut their way up and down the fretboard, never hurried, always measured, her guitar work is unbelievably intricate though perfectly controlled, and she accompanies this with a plaintive sounding, almost wailing vocal that makes the hairs on the back of the neck stand up.  If you ain’t seen Jo, you ain’t seen nothing!  Kicking off with “Wave”, Jo took us through a set of original materials that perfectly demonstrated the versatility of her style, into “Chopping Wood” and others from her recently released “Chasing Tales” EP.

Now it was the turn of the whirlwind female acoustic duo ME and Deboe (Mercy Elise and Sarah Deboe), who’d travelled from Chester to grace our stage.  These girls manage to meld two acoustic guitars and their two voices into a truly unique sound that is all their own.  Their guitar playing is frantic and fast, often so frantic and fast that their hands blur – guitarists of lesser skill levels wouldn’t have a hope of keeping time, but Sarah and Mercy’s guitars gel perfectly with each other.  As well as their stunning guitar work, the girls’ voices blend superbly with tight and melodic harmonies.  It’s hard to pick a highlight, but if pushed I would have to say “Mother Shipton” is the one that does it for me.

Last, but by no means least, was Wirral male acoustic duo, Simon on cajon, Gareth on guitar, who go by the name of Shoes4Brakes.  These guys make music fun!  Their songs are tuneful and inventive, catchy and fun, and the guys clearly enjoy sharing their repertoire of songs and interracting with the audience.  When asked to play “Minnesota” which was their contribution to the K’s Choice City of Music album, the boys related the story of a friend who lives in Minnesota and wonders why anyone would want to sing a song about a place where there is nothing at all, except miles and miles of barren land and bears!  “The bears sold it to us!” the guys enthused, and launched into “Minnesota”, which is one belter of a tune, as indeed are all their others.

And so, that was that for another fantastic K’s Choice session at Unit 51.  K’s Choice will be back on Friday 22nd November at the Hatch, Hopskotch bar in Mathew Street, Liverpool, with the usual array of top talent.  Bye for now! X

Live Review: K’s Choice @ Unit 51, 4th Oct 2013


The great and the good and live acoustic music lovers were out in force on the evening of Friday 4th October for a bonanza K’s Choice bill at Unit 51.  We had so many acts on that K’s Choice host Derek King had trouble fitting them all in before closing time….!

Pics coming soon.

Kicking off early doors was local singer/songwriter Peter Harrison, who, in his words, “writes songs to cure the aches of an over-active mind”.  Those in the audience (some of whom may well have had an over-active mind on a Friday evening after a hard week in work) certainly enjoyed Peter’s enthusiastic and earnest performance, and he made a few new friends I’ve no doubt.

Following Peter were K’s Choice and Liverpool Acoustic favourites Rob Jones & Rob White.  This melodic duo feature friends Rob Jones on acoustic guitar and vocal, accompanied by Rob White on vocal, and their tight and well practised vocal harmonies have a wonderful feel-good quality to them.  The style of their self-penned songs hark back to the 60s and early 70s, with influence from such artists as Simon & Garfunkel, the Monkees and the early Beatles, all delivered with smooth professionalism and aplomb.

Next up was a special addition to the bill, special guest 17 year old local student Pete King.  Pete’s song-writing is wonderfully mature for his tender years, and his songs tell insightful stories of the everyday worries and concerns of a teenager.  His guitar work is inventive without being over complicated and his vocals soar. Pete’s set finished with a rousing version of McFly’s “It’s all about you” with his mate Dan joining in for some pretty tight vocal harmonies.

Next we had another special addition to the bill, guitarist Joe and singer Katrine from the folk-rock band Kalandra, who just happened to be passing by and looked in to say hello.  We only had time for two songs, but ooooooh they were good!  We hope to book Kalandra for a full set really soon.

Slowing the mood down and relaxing the pace, next came Blackpool based singer-songwriter Russ Erwin.  With gentle acoustic guitar work and soaring vocals Russ delivered a sublime set of his original material with some finesse. With his arrestingly gentle, soulful, (mournful even) delivery, Russ silenced the place.  It was like honey in the ears, an absolute pleasure to listen to: Blackpool and the surrounding Lancashire areas have a gem in their midst, and one hopes they appreciate it!

Following Russ was another artist who had travelled a distance for the pleasure of gracing a Liverpool stage: a lovely friendly and cheerful young man called Matt, with the stage name Brains for Breakfast.  Matt hails from Walsall and consequently plies his trade a lot around the West Midlands and in Birmingham, and it was something of a special occasion for him to come and play in Liverpool.  His music is somewhat akin to his persona – refreshingly upbeat, inventive and intelligent, though without taking itself too seriously.  A polished and thoroughly enjoyable performance.

And last, but certainly not least, we were treated to a set by the delightful all girl trio, Freda & the High Tides.  They describe themselves as “three girls, a guitar, a melodica, a tambourine and some kazoos”, but put ’em together and they are so much more than that!  The hour was late by now, many of the audience had left to catch last buses and trains, the girls were full of wine and slightly “tired and emotional”, but their performance was nothing less than professional.  It says something about performers when, faced with the disappointment of a diminishing audience due to their set being pushed back late, they perform every bit as professionally and enthusiastically as they would play to a thousand people.  Well done ladies, you are stars!

And that, dear reader, was that.  Live music all the way from 8.30 through to after 12.00.  Thanks to all musicians, and special thanks to Stella the manager of Unit 51 for making it all possible.  Catch K’s Choice at Unit 51 again on 1st November.

The first K’s Choice gig at Unit 51 – 6th Sept 2013


Delighted to report that the first K’s Choice gig at Unit 51 last Friday evening can only be described as nothing less than an absolute triumph!

No less than six acts gave their all for the enjoyment of a very receptive (and indeed sizeable) audience.  We sense that this is the start of something very special indeed….!

Heartfelt and sincere thanks to all the wonderful performers: Acoustic Tales, the Kevin Critchley Band, Dogstar Rose, Fran & Fred, the Salty Old Sea Dogs and John Chatterton.  You were all fantastic!

And thanks to Stella and the others at Unit 51 for making us so welcome.

Acoustic Tales

Acoustic Tales

The Kevin Critchley Band

The Kevin Critchley Band

The Salty Old Sea Dogs

The Salty Old Sea Dogs

Dogstar Rose and bass-playing friend

Dogstar Rose and bass-playing friend

Fran on vocal and Fred on guitar

Fran on vocal and Fred on guitar

The only downside (though some may disagree!) was that we packed in so much talent on the night that K’s Choice host, Derek King had no time to play….

Looking miffed cos he didn't have time to play....!

Looking miffed cos he didn’t have time to play….!

We’re back at Unit 51 on Friday 4th October with 5 or 6 more terrific acts, and then on the first Friday of every month thereafter.

Billy Kelly – the Bootle Roy Orbison?

I was hosting K’s Choice in the American Bar & Grill recently where Billy Kelly was playing a set, and a group of young lads (led by Billy’s son, Will) were enthusiastically and raucously singing “There’s only one Billy Kelly!” in between his songs.  It was lovely to see young people enjoying the music from one of Liverpool’s more mature performers (I hope Billy will forgive me for the word “mature”!) and it impressed on me the magical property that music has to span the generations and, among other things, contribute to a bloody good night out – which is what Will and his mates undoubtedly had!

It also made me think….. how can there be only one Billy Kelly in Liverpool?  With a name like that there must be hundreds of them!1

But there is only the one Billy Kelly who we could well consider to be one of the elder statesmen of the Liverpool music scene, having spent 30 years or more living and breathing his music.

As a boy growing up in Liverpool, Billy taught himself guitar and played in bands with mates at school. Inspired by the excitement of the music scene of the time, and brimming with musical talent and confidence (and no doubt the cockiness of youth!) he actually did what many other musicians of his generation wish they’d done – he gave a full-time music career a serious shot.

Billy moved to London in the early 80s to ride on the crest of the post punk new wave, where he was to stay for some 23 years and bring up his son as a single parent. Amongst his favourite musicians he lists the Beatles, though as a child growing up in Liverpool not long after their heyday he used to maintain his distance from the fab four.  “I just used to get sick and tired of people banging on about them all the time,” he laughs, “but once all the commotion died down I was able to enjoy listening to them properly.  I remember first hearing the ‘White Album’ and thought, ‘Whoa, what have I been missing here?’”  More Billy’s era were such greats as Elvis Costello and Paul Weller, the post punk new wave artists, the guys who inspired his move to the London music scene.

But he acknowledges with a wry smile that it was probably Slade that made him pick up a guitar in the first place, “Because they were popular with teenagers in the 70s a lot of serious musicians didn’t rate Slade at the time, but when you listen to their stuff now you can hear well crafted, guitar based rock n roll that’s pretty timeless I’d say.  And they had a very distinctive sound and were a brilliant live band.”  Billy reminisces, “I was lucky enough to get to know Noddy Holder quite well in the mid-80s and we had a good few boozy nights out.  He’s a cracking fella!”

As well as the 1980s new wave type influence in his music, there is also a country and western twang to many of Billy’s songs, and it makes for quite an arresting combination.  “I like a bit of Roy Orbison, Buddy Holly and artists like that; some of their chord sequences just seem to drift into my songs.”  He laughs, “A mate of mine, singer-songwriter Pod Cousins said to me recently ‘You’re the Bootle Roy Orbison, Billy’, which I took as quite a compliment.  He plastered it all over Facebook so quite a few people had a good laugh about that!”

Of his 23 years in London Billy spent the first 8 of these gigging and recording, though to provide some financial stability for his son he turned his attention to building up a thriving hairdressing and beautician business, although he always kept touch with the music scene by maintaining a studio at home.  He constantly brings his son into our conversation and is obviously very proud of the contribution he has made as a dad to the young man Will has now become.  “We returned to Liverpool about 3 years ago now,” he tells me, “and we are both loving it here.”


Read on to learn more about the Bootle Roy Orbison…..!

Q. What have you been up to this weekend?

A. I’ve just finished recording and producing a new song called “Wipe it Out”.  I uploaded it to Soundcloud just this weekend and it’s had about 250 plays in two days.  That has just blown me away!  It’s a song about the negative influence of things like the X-Factor, and I just happened to have uploaded it on the weekend when X-Factor started on the telly, so quite by accident, I timed it right.

Q. What age did you start playing and performing?

A. When I was a lad my parents bought me my first guitar with Embassy cigarette coupons.  They were like Green Shield stamps for smokers!  It’s laughable now how they used to give coupons out with ciggies to try and encourage people to smoke more.  You can’t imagine anything like that these days.

That first guitar was like playing a cheese grater, absolutely awful, but it made me really appreciate it when I saved up and bought myself a half decent one.

As a schoolboy I used to play in a band in a mate’s garage.  Music wasn’t taught at our school so we just used to organise ourselves.  It was all just a bit of a laugh really, and most of the kids gave up music when we left school, but it was in my blood and I just went on and on with it.

Q. Which Liverpool venues have you played at?  Which are your favourites?

A. I’ve put myself about and played at most of the places that host acoustic music and open mike slots.  I like the Lomax, though I haven’t been for a while, the Zanzibar is special too.  I’ve recently played at the bombed out church (St Lukes on Berry Street & Leece Street corner) which was a great experience, also the Head of Steam pub is a great laugh.  I wouldn’t like to pick a favourite though, they are all special in their way.

Q. Tell us about your song on the K’s Choice album, “Blue Skies Blue Eyes”, what’s it about? Where did the inspiration come from?

A. It’s a bit sad actually, I had a long-term girlfriend when I was younger, and she had the most beautiful blue eyes.  We split up just before I went to live in London, she went to live in America, but we remained really good friends.  Unfortunately she got cancer of the stomach and passed away when she was only 30.  Although we weren’t together at the time we were still very good friends and her passing hit me hard.  So the song is for her, but it’s not a sad song, it’s a celebration of her life really.

Q. How does your song writing process normally work? Typically how long does it take you to write a song?

A. It’s something I’ve never been taught to do, I’ve never had a music lesson in my life, it just all seems to be instinctive.  Ideas occur to me at random moments and songs seem to develop for ever if I let them, they just flit in and out of my mind. I have to find the discipline to sit down and finish them off, but even then I often re-visit them some time later and change the middle eight or something.

I can’t write a song to order though – they never come if I try and force them.  A couple of years ago I tried to write a song when my dad died, but when I sat down to write it I found couldn’t do it.

Billy Kelly’s song “Blue Skies Blue Eyes” features as track 4, disc 2 on the K’s Choice City of Music 2013 compilation album.  Listen here https://soundcloud.com/billykellywwk/blue-skies-blue-eyes

To find out more about Billy and links to his other work click here https://www.facebook.com/billykellywwk

To find out more about the K’s Choice album and order a copy please click here.

Review of the album launch party on 21st August


Our friends at Liverpool Acoustic have published a lovely piece reviewing the 21st August launch party.  Please click the link to read it.


Here are just a few photos from a truly memorable and sparkling night!


Chris Callander

Chris Callander

Caroline England

Caroline England


The host introduces Dogstar Rose


Dogstar Rose and Simon McKelvie

Dogstar Rose accompanied by Simon McKelvie on percussion

Gary Gardner

Gary Gardner


Robert Vincent accompanied by Steph Kearley on cello


Jo Bywater – a musical force!


When I asked Jo Bywater on Facebook if she was ok to come into the studio today, she answered in Yoda-ese “ready am I,” which I assume was nothing more than a typo, but it spawned a series of Yoda puns on her wall, culminating in, “the force must you use, young Bywater!” (which is quite witty for me actually). But if there is such a thing as “the force” and it can be used by musicians, then singer-songwriter and music teacher Jo Bywater has it in spades. She lives and breathes her music, it’s not a hobby for her, it’s her life. I’ve watched her solo performances and have found myself wondering more than once, how on earth does she get the guitar to do that?

Yorkshire lass Jo has been in Liverpool about 12 years now. She came here originally to complete her degree in music at the Liverpool Institute for Performing Arts, and, like many graduates, fell in love with Liverpool, and stayed. “I was gigging in Liverpool as a student and just loved the music scene here,” she says, “and it’s getting better all the time. One of the strengths is that there is so much variety and there is room for every musical genre and taste.”

The story of her finding music as a child is similar to stories that many rock musicians tell – some classical training at school, discovering an affinity with music, and finding their own musical direction in late teenage years. “I dabbled in violin and recorder at school,” she remembers, “but didn’t really enjoy them, and then I took up classical guitar at the age of 15. I found classical guitar a bit regimented and rigid I suppose, so I took up electric guitar and started learning Nirvana songs. Then I was off!” she smiles at the memory, “I was lead guitarist in a metal band when I was 18, we performed in the 6th Form common room first, and then spent a good couple of years gigging around.” She has now moved on from metal bands and has been performing as a solo artist for about 8 years. She also released her own solo album “Cycle Grace Pulse Break” in 2010, which continues to sell respectably well.

These days Jo is a music teacher with a studio at her home in Toxteth where she gives private lessons, and in her spare time she writes, records and performs. “Music is everything I do,” she tells us, “I love teaching, I teach such a range of ages from primary school children right up to people in their 60s taking up music in retirement.”

She feels that teaching music has helped her solo musical style to develop and mellow, and she contends that her knowledge of musical theory and classical training has helped to open her mind to all kinds of genres and styles of music. As a former lead guitarist she still has a love of bluesy guitar styles like Jimi Hendrix and numerous others, though she appreciates a wide range of songwriters, Billy Joel, Stevie Wonder and Neil Young among her favourites. But she doesn’t write anything off and tries to enjoy everything that’s out there, though with her teacher’s ear she can’t help but find fault with some of the commercially produced dross which is constantly beamed at us. But Jo doesn’t just say, “oh that’s crap!” like a lot of people do, she can provide thoughtful and structured critiques about why it’s crap – this girl knows absolutely what she is talking about!


We asked Jo a few more questions. To be truthful you could write a much longer piece about her and her views and opinions, but here are the edited highlights.

Q. What have you done today?

A. I’ve started filming a documentary advertisement at home in my flat for my new EP, which comes out soon. I’m doing a launch at the View Two Gallery in Mathew Street on 27th September with Liverpool Acoustic, which is all really exciting stuff.

Q. Which are your favourite Liverpool music venues?

A. I like playing all venues, from someone’s living room to festivals, but I think the Lomax and Mello Mello are very special. They are small enough to be intimate places and they have plenty of character and tend to attract crowds. But I also love the View Two Gallery, there is something very unique about performing upstairs at an art gallery!

Q. Tell us about your song “Wave” on the album, what’s it about? Where did the inspiration come from?

A. I wrote most of that song in about half hour, which is unusual for me actually, they usually take much longer. I was with a good friend on New Year’s Eve and it’s been a tradition for the last few years that we name the new year after something. That particular year we named the “year of fulfilment”, and the first line in “Wave” is “A wave of fulfilment.” It’s a song about cycles, how things come around and go around.

Q. How does your song writing process normally work? Typically how long does it take you to write a song?

A. They don’t usually happen as quickly as “Wave” did. Songs need to be cooked for a while in my opinion, although you can come up with a good idea very quickly, you need to let it simmer for while, sit on it, tweak it, play around with it. I can’t force a song, I’m too fussy and I have to be patient and let it grow before I can consider it as finished.

Q. Do you ever work with other musicians when recording or performing? Are there any musicians you’d like to work with?

A. I’ve played with bands and with other musicians all my life. I’ve got some friends giving guest performances on my EP and they will be playing with me at the launch. I think as a songwriter when you work with other musicians you have to be quite strong to keep the song true to what you intended, but you also want to give the other musicians enough latitude so that you can make good use of their creative talents. It’s always a balancing act.

Q. Musically, what is your proudest moment ever?

A. Getting my album together a couple of years ago. It felt like such an achievement and it’s still something of which I am really proud.

Q. How do you feel about performing a song? Do you ever feel nervous about revealing yourself to the world?

A. Yes, every single time! The first few times I play them I can feel really self conscious, but eventually the song gets its own life and I can concentrate more on the performance than on the context of the song.

Jo’s song “Wave” features on the K’s Choice City of Music 2013 compilation album as track 9 on disc 2 and it is also on her 2010 solo album “Cycle Grace Pulse Break”.

Find out more about Jo Bywater and links to her other work at http://www.jobywater.com/

Get a copy of the K’s Choice City of Music 2013 compilation album here.

A chat with Chris Callander – a deep thinker who howls at the moon!

First impressions of Chris Callander are of a thoughtful, fairly reserved, courteous and very pleasant person; he doesn’t seem to be the type who would go in for exaggeration or hyperbole.  Yet when you experience his musical performances, he exudes a strange power over his audience: he has a stage presence that gets people on his side instantly, draws them in and gets them to work with him. Performers almost always have to work hard to get the audience on side, but Chris seems to do it effortlessly. I’ve watched him perform his end of set anthem “Howl at the Moon” on several occasions, and every time, without fail, he actually persuades otherwise rational and right minded people in the audience to howl at the moon along with him!


On the day we talked, Chris had spent a very busy, though enjoyable day at work, with just a 10 minute lunch break. In his day job he is a senior training practitioner in a company that uses actors in the training courses it delivers, so this involves him writing scripts, researching, delivering the training courses and doing some acting himself too.  Because it is a small firm he finds himself carrying out several roles himself, though he finds it very rewarding, not least because he gets to travel around the country quite a lot.

Chris is one of those rare people who thinks before he starts to talk, and he spent a lot of time in between my questions contemplating his replies.  When chatting quite casually about what it is that makes human beings love music, he presented some quite astounding and profound pieces of wisdom. “People want to be moved by music,” he tells me, “We invest three minutes of our lives listening to a piece of music, and if it’s a good piece of music it can change our mood or even change our life. Human beings are hard wired to appreciate music, it’s why we sing to babies in the crib. I’ve recently been doing some work with a nursing home for people suffering with dementia; when the staff find it difficult to get residents to co-operate with something like, say for example, going to the bathroom, they sing to them – and it works!  It’s remarkable how much power music has.”

When he travels he is enthusiastic about experiencing what the other great cities in Britain have to offer, and he particularly enjoys visiting London. “But I always love to come home, because Liverpool is such a special place,” he smiles, “did you know that you can buy miniature purple wheelie bins now as a souvenir of Liverpool? I think they’re somehow supposed to go with the lamb bananas!”

Originally from the Wirral, Chris has been a proud resident of Toxteth for some 12 years. “If you picked up the street where I live and moved it to London, you’d pay millions to live there. The Princes Road area is beautiful; it’s leafy, and it has so much character, big high ceilings and sash windows – I’ve even got a sky-lawn on my balcony! Plus it’s close enough to the city centre so I can walk to gigs. It suits me perfectly. Holly Johnson wrote ‘Relax’ while walking down my street so I’m in good musical company.”


Q. Tell us something random about yourself….

A. Hmmm, well I once lived in a car for 4 months! I was with a friend, we were both 18 and were travelling around in the United States, we had no money so we just travelled round and lived in the car. Eventually we met some people who gave us a job selling vacuum cleaners door to door so we were able to afford some digs.

Q. How long have you been performing as a musician? What are your earliest memories?

A. I remember playing “Little Donkey” on chime bars when I was in primary school. I was very partial to the chime bars! We weren’t a musical family really, we had a knackered old piano in the back room, we were always going to get it tuned and I was going to get lessons, but we never did either. I got this guitar when I was 15 or 16, it was a homemade electric guitar, someone’s DIY project that they never finished. It was an awful thing to play! But I plugged away at it until I could afford something decent, spent about £100 on a guitar and then I was away.

I kept up guitar until I was about 28 or so and then kind of stopped for no reason at ll really. It started to forget about me and I forgot about it. Then I got back into it 4 or 5 years ago and ended up taking it much more seriously than I’d ever done before. I’ve been self-teaching myself classical guitar, an hour each day before I go to work, and have worked my way through the grade books, though I don’t do the exams.

Q. What do you think about Liverpool’s music scene? Which venues have you played at? Which are your favourites?

A. All the bars & venues have a different feel to them, the Monday Club, the Lomax, Heebies on a Saturday afternoon. The acoustic scene here is amazing; the emphasis on original music is something special that gives it all so much vitality and life. There are so many young performers playing at such a high standard, it’s one of the things that motivated me to try and improve my technique.

Q. Tell us about your song on the album, what’s it about? Where did the inspiration come from?

A. “Howl at the moon” was inspired by Tom Waits really, like a lot of my music is. Creatively I took quite a lot of risks, but I think I came up with something quite original and I’m pleased with it.

Q. How does your song writing process normally work? Typically how long does it take you to write a song?

A. I usually have one on the go at any one time, usually I start with a bit of guitar, usually a couple of lines of lyric come pretty quickly and then I find more music. Then the rest of the lyrics take ages because I have to decide on the direction the song has to take. I’m patient with it.

Q. Do you ever work with other musicians when recording or performing?

A. I’ve got a couple of friends who help me to flesh out some of my recordings; they put some drums and bass in the songs. I tend to gig on my own though, because I can organise that, I can pick up my guitar and get out and perform without having to plan or consider anyone else.

Q. What are your music influences? Do you have a favourite decade? Or genre? Do you have a role model?

A. Tom Waits is right at the top for me. He is the whole package; his songwriting is sublime, he tells wonderful stories full of rich characters, his use of lyrics and melody are amazing, and so are the sounds he generates from the various instruments. He gets me emotionally too. People want to be moved by music and Tom Waits does that for me.

Q. What for you makes you listen to a song? Lyrics or melody?

A. Usually I suppose the melody and music draw you into the lyric. Hopefully, if it does its job properly the lyric should then be something worth getting into.  Though sometimes it’s the opening lyric that grabs you, a powerful opening gambit can make you to listen to the rest of the song.

Q. Are there any songs that make you emotional? Laugh or cry?

A. It has to be Glasvegas’ first album, I’m an emotional wreck all the way through!

Q. What is your proudest moment ever?

A. Musically, what makes me proud and happy is when I play a ballad and the room goes quiet and everyone listens, or when I get the whole room howling to “Howl at the Moon”!

When the City of Music collection was compiled we thought “Howl at the Moon” should be the end of set anthem, so it appears as track 13 on disc 2, to get all you listeners howling!  Howl here https://soundcloud.com/chris-callander-1/howl-at-the-moon-mixed

To find out more about Chris Callander and his other work click here https://www.facebook.com/ChrisCallanderAcoustic

To get your copy of the K’s Choice City of Music 2013 Compilation click here https://kschoiceacoustic.wordpress.com/the-city-of-music-2013-compilation-album/